Chara, a truly malevolent character whose soul is attracted to Frisk’s after seeing Frisk’s murderous rampage, possesses Frisk and uses them to destroy the world. The Genocide route ends with the destruction of reality itself. Frisk can end up desiring nothing more than to bring pain and death to those around them. They may still want to escape the Underground, but certain player choices indicate that Frisk may no longer care about this goal. In the Genocide route, Frisk becomes more hard-hearted and cruel than they could ever be in the Pacifist route. Some are even eventually replaced in the Genocide route with more dangerous versions of themselves, ready to fight Frisk to defend their home. Monsters that embrace Frisk in the Pacifist route now run away from Frisk. In the Genocide route, characters react to Frisk with fear, disdain, and revulsion as Frisk progresses.

This is sweet but simple.Ĭontrasted against the Genocide route, the Pacifist route becomes a testament to how easy it is to affect the world, and yourself, for good. Frisk shows every character they encounter honest compassion, reaching out to these people to not just have fun but to help them in whatever small way a child can. You see, on its own, the Pacifist route is the heartwarming tale of a child doing their best to befriend every person, human and monster alike. It works as a foil to the Pacifist route so that each may elevate the other. Though a compelling tale, the Genocide route is, on its own, overwhelmingly brutal, and seems to serve no purpose other than to provide the player an opportunity to be cruel. However, one route requires interpersonal connection, and the other, murder. Although Frisk’s personal motivations can change drastically over the course of the Genocide route, both routes also technically end in success. Clearly, the Pacifist and Genocide routes cannot be more different from each other. They may then move onto the next area and repeat, but the game will respond to this by making subsequent fights, including boss fights, much harder. Frisk must actively fight and kill every monster they encounter until those monsters stop spawning in an area.

The player cannot just have Frisk wantonly kill and still achieve the Genocide ending. This does not mean that the Genocide route is easy by any means. To do so, Frisk must travel to the other side of the Underground and pass-through “the Barrier,” a magical ward placed by the humans to trap the monsters in the Underground after the monsters lost a war with the humans. Frisk - a gender-neutral human child - has accidentally fallen down from the human world into “the Underground,” which is populated by monsters, and wants to escape. The player inhabits a child protagonist whose name is eventually revealed to be Frisk. On its surface, “Undertale” is a simple game. What about the experiences, the memories, and the friends made along the way? What about the journey? Was it everything you hoped it would be? Was it worth it? “Undertale,” says that through kindness, it can be. It is so clear because “determination” is labeled as a defining attribute of the protagonist, and the word is used constantly in conjunction with the protagonist’s actions “Undertale” wants the player to know that the protagonist succeeds because they have determination. “Undertale” makes it clear that success, however, one defines that, is achievable by having lots of determination. This is not to equate happiness with success. It also allows “Undertale” to posit something important the game uses the interconnectedness of its narrative to compare the three main routes and present the idea that through true-hearted, honest kindness, one can end up truly happy. This narrative style is part of what endears “Undertale” to many. However, “Undertale” takes that a step further and intertwines its routes into core components of one big, overarching story. Like many RPGs, “Undertale” has multiple story routes that change the events of the game as well as its end based on the player’s choices. “Undertale” gained fame for many reasons, including its rather unique storytelling style. Over those past five years, fans of the game as well as reviewers have celebrated “Undertale” as an across-the-board-amazing game. “ Undertale,” an indie video game created by Toby Fox in 2015, recently celebrated its fifth anniversary.

Undertale genocide pacifist ending